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Welcome to the School of Witch Craft and Wizardry, *hands you Pumkin Juice* Enjoy your stay.

Draco Malfoy |
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Harry Potter and the Sorcerer's Stone. Arthur A. Levine / Scholastic, 1998.
309 pages (ISBN 0-590-35340-3; paperback 0-590-35342-X)
Annotation from CCBC Choices 1998: Harry Potter is a skinny, spectacled, 11-year-old orphaned child living with a comically hard-hearted aunt and uncle and obnoxious, bullying cousin when he gets the summons that changes his life: he has been accepted at Hogwarts School of Witchcraft and Wizardry. The news might have been less shocking to Harry if he'd had even an inkling that he possessed the power of magic, but Harry did not know that witches and wizards existed, let alone that he himself was a candidate for study at a boarding school where magic is taught. The mysterious world of spells and potions, gremlins and dragons, flying broomsticks and magic wands unfolds simultaneously for both Harry and readers of this highly imaginative, satisfying novel. Boarding schools, even ones for witches and wizards, are not without their share of snobs and bullies, but despite this, Hogwarts is a friendly, welcoming place to Harry, and it quickly begins to feel like his true home. Harry's initiation into Hogwarts' social and academic life, along with the other first-year boys and girls at the school, is the reader's initiation, too, and the discoveries to be made are delightful. Rowling has conjured a fully realized world of magic, complete with centuries-old history and tradition, sparkling language, rules of conduct, athletics, and, of course, the requisite battle between good and evil in which Harry and his new friends become involved. The author conjures up drama, excitement, and mystery in this wonderfully funny and not-too-scary first novel. (Age 8 and older)
Harry Potter and the Chamber of Secrets. Arthur A. Levine / Scholastic, 1998.
341 pages (ISBN 0-439-04486-4)
Annotation from CCBC Choices 2000: In his second year at Hogwarts School for Witchcraft and Wizardry, 12-year-old Harry Potter continues to learn about his destiny as the greatest wizard of his generation. New challenges and adventure seem to lie in wait for him at every turn of the twisting staircases and corridors of Hogwarts. What is the meaning of the mysterious whispered messages only Harry can hear: ". . . so hungry . . . for so long . . . kill . . . time to kill . . ." Who is attacking the selected students and, one by one, turning them into petrified human pillars? Do all the answers lie in the rumored Chamber of Secrets, if such a place even exists? With his mates, Ron and Hermione, Harry sets out to find solve these mysteries, using intellect, rudimentary magic, and a little bit of luck. Readers of the first volume of this extremely popular series, Harry Potter and the Sorcerer's Stone (Levine/Scholastic, 1998), will recognize the setting and many of the characters. In addition, they will be pleased to meet some new cast members, including Dobby, a self-deprecating, gossipy house elf and Gilderoy Lockhart, a self-important best-selling author who's come to teach Defense Against the Dark Arts at Hogwarts. Ingenious plotting, dazzling humor, and an overall inventive vision are fast becoming the hallmark of J.K. Rowling's highly appealing novels. (Age 8 and older)
Harry Potter and the Prisoner of Azkaban. Arthur A. Levine / Scholastic, 1999.
448 pages (ISBN 0-439-13625-0)
Annotation from CCBC Choices 2000: J. K. Rowling just seems to get better and better with each new entry in the Harry Potter series and this volume, without a doubt, is the most compelling book yet. From the outset we learn that Sirius Black, a notorious criminal that even the Muggles know, has escaped from Azkaban prison. Worse yet, he is after Harry Potter who has just returned to Hogwarts School for a third term. Sinister Azkaban prison guards called Dementors have been placed all around the entrances to Hogwarts, ostensibly to keep Sirius Black away from the school. But to Harry the Dementors seem to pose as much as a threat as the escaped prisoner -- he faints from fright every time he sees one. So concerned is he about the effect they have on him that he seeks out the assistance of Professor Lupin, the new Defense against the Dark Arts teacher, who helps Harry face his fears. We have just as much humor, excellent characterization and intricate plotting in this novel as in the previous two but here Rowling introduces for the first time a layer of psychological depth, as Harry, now age 13, begins to come to terms with the death of his parents. As a result, the novel has a more somber and slightly more mature tone than its predecessors. Still, the rousing story will keep Potter fans turning the pages and the mind-blowing twist at the end of the book is likely to inspire repeated readings, of this volume if not the entire series. And, of course, everyone who reads it will now be anxiously awaiting Book Four. Children's Book Center (Age 9 and older)
Harry Potter and the Goblet of Fire. Arthur A. Levine / Scholastic, 2000.
752 pages (ISBN 0-439-13959-7)
Annotation from CCBC Choices 2001: Harry Potter returns for his fourth year at Hogwart's School of Witchcraft and Wizardry, but not before attending the World Quidditch Cup with his best friends Ron and Hermione and Ron's family. Spirits are high as wizards and witches from around the world gather in Britain to attend the match. But events at the international sporting spectacle foreshadow possible bad times ahead when the Dark Mark, the sign of evil Lord Voldemort, is seen in the sky overhead after the championship. It is the first time the sign has appeared since Voldemort disappeared after killing Harry's parents years before. J.K. Rowling's fourth Harry Potter novel, which the author describes as "pivotal" in the planned cycle of seven books, continues what has become her trademark blend of highly imaginative plotting, wonderfully realized characters, spirited humor and compelling dramatic action. The now comfortingly familiar routine of life at Hogwart's School is never without surprises for Harry, who is now 14, or for readers. But Rowling adds a fresh twist to Harry's fourth year with the introduction of an international wizarding competition that brings students from schools of witchcraft and wizardry in two other nations to Hogwarts for the year. When Harry is called upon to be a contestant in the competition, no one is more surprised than he, and it seems certain that his name was put forth by someone wishing him harm. The first boy-girl dance for Harry and his friends also complicates life, as adolescent desires and uncertainties make for funny, poignant interactions among students. By now readers know Rowling's main charactersand many of the minor onesquite well, and the result is a plot-driven adventure that builds swiftly to another grippingand chilling-- climax. The lines are drawn more clearly and powerfully than ever before in the ongoing struggle of goodas seem through the actions of Harry, headmaster Albus Dumbledore and others at Hogwarts--versus evil, as represented by the heartless, inhuman deeds of the dark wizard Voldemort and his followers. But intriguing and complex questions remain, about the intentions and motivations of individual characters, and about the fate of all in Rowling's superbly realized world. And in the midst of all the action, Harry Potter and the Goblet of Fire offers more mature readers who are eager to dissect the intricacies of the plot and ponder what is yet to come the opportunity to also think about issues of economic and social justice as they play out in that magical worldand resonate in our own. (Age 9 and older)
Harry Potter and the Order of the Phoenix. Arthur A. Levine / Scholastic, 2003.
870 pages (ISBN 0-439-35806-X)
Review by the Cooperative Children's Book Center:: As with the four previous Harry Potter titles, J.K. Rowling takes readers on satisfying, stimulating excursion into her richly imagined world in Harry Potter and the Order of the Phoenix. But much has changed in Book V. The cover of the U.S. edition reveals quite a bit about that change since the start of the previous volume. There is no smiling boy pictured, and no rich palette of contrasting colors. Instead, an older, more serious Harry gazes over his shoulder, the scene cast in somber blue tones. And from the opening chapter on, it's clear that things are different, and that Harry is different, too. The usual over-the-top, comi-tragic scenes of Harry's life at the Dursley's are toned down, replaced by more ominous tidings. Harry's usual transition, from frustration in being stuck at the Dursley's to delight when he is reunited with his Hogwarts friends, is far less pronounced. It's complicated by his self-righteous anger over a summer of isolation from the wizarding world at a time when Lord Voldemort has risen and so much is at stake. That anger possesses Harry on and off throughout the novel. It is one of the ways J.K. Rowling is addressing the transition of her main character from courageous, open-hearted boy to a young man weighed down by all he has seen. Harry is also struggling, like many adolescents, to adjust to changes that he doesn't always understand in his relationships with friends and mentors. The truth is that teenagers aren't always easy to be around, and Harry embodies that truth, his overwrought emotions seemingly justified one minute, self-centered the next. But while Harry Potter and the Order of the Phoenix is certainly less lighthearted than the overall tone of its predecessors, it's not a dark and ominous story. Hope--and Rowling's humor--still shine. The author is adept at sly wit, broad humor, and satire. Older readers may especially appreciate her sharp, sometimes chilling commentaries on government. Her inventive imagination has created surprising new material in a world that already seemed complete. (Remember those horseless carriages at Hogwarts?) She also expands the cast and range of characters. While some familiar faces, like Dumbledore and Hagrid, aren't seen as often as we've come to expect, others, like Ginny Weasley and Neville Longbottom, are shown in a new or brighter light. Newcomers like the Ravenclaw student Luna Lovegood and the Auror Tonks enliven the mix that, as always, includes Harry's best friends, Ron and Hermione, each with a few surprises of their own. Rowling also continues to develop the intricacies of the ongoing plot of good versus evil, answering some of the looming questions from the past while raising others about what is to come. The overall fast-paced novel lags more than its predecessors at the start but picks up quickly, building to a riveting climactic battle followed by a prophecy revealed. The sense of urgency that marked the close of Book IV is absent here. But Harry Potter and the Order of the Phoenix still leaves us wondering what now awaits the world of magic so many have come to know and love. What new surprises, challenges, and changes, will Books VI and VII hold? (Age 9 and older) |
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"Harry Potter was a highly unusual boy in many ways. For one thing, he hated the summer holidays more than any other time of the year. For another, he really wanted to do his homework but was forced to do it in secret, in the dead of night. And he also happened to be a wizard.Harry Potter and the Prisoner of Azkaban
The Master Mind behind the words
Joanne Kathleen Rowling, author of the best-selling Harry Potter series of books, was born in Chipping Sodbury, near Bristol, in southwest England. Her birthday, as all true Harry Potter fans know, is July 31st, the same as her famous boy-wizard hero.
The family, including her parents and younger sister Di, lived in Yate and then Winterbourne, also near Bristol. Her father worked on airplane engines for Rolls Royce. When Joanne was nine, the Rowlings moved to Tutshill, near Chepstow, England, close to the border of Wales.
J. K. Rowling
The story of Harry Potter's creator
After graduating from public school with top honors in English, French, and German, Rowling went on to study French at the University of Exeter. She earned her degree in 1986 and over the next several years held a variety of secretarial jobs, including one at a publishing firm, where she had to send out rejection letters to prospective authors.
What she really wanted to do, however, was write. Rowling wrote her first story, Rabbit, about a rabbit with measles, at age five or six. Later, she tried her hand at writing novels, for adults. But she never finished writing any novel before she wrote the Harry Potter books.
Harry Potter Is Born
Rowling started writing the first Harry Potter book in 1990. The idea for Harrya lonely, downtrodden 11-year-old orphan who learns he is actually a wizard when he is magically invited to attend Hogwarts School of Witchcraft and Wizardrycame to Rowling while she was stuck on a delayed train between Manchester and London. Although she left England a short time later to teach English in Portugal, Rowling continued to flesh out Harry's story.
Rowling returned to Britain in 1993, settling in Edinburgh, Scotland, to be near her sister. Divorced after a brief marriage in Portugal and now with a baby, she suffered through a period of poverty and depression while she struggled to earn a living and take care of her daughter, Jessica. It was during this difficult time that she finally completed Harry Potter and the Philosopher's Stone, which was renamed Harry Potter and the Sorcerer's Stone for the U.S. edition.
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Wiltshire has a special connection with the Harry Potter films - since Lacock Abbey featured in the first episode, The Philosopher's Stone and the abbey makes another appearance in the new film Harry Potter and the Chamber of Secrets.
But Wiltshire's connection with Harry Potter doesn't end there. A steam engine, which for years pulled carriages to and Swindon, has a starring role in the first movie. The 62-year-old Great Western Built Olton Hall engine was transformed into the magical Hogwarts Express.
FIVE Lacock youngsters will be taking a special interest in the new film, as they were lucky enough to be picked out as extras in the Chamber of Secrets.
Warner Brothers asked children in year six at Lacock Primary School if they fancied the chance of rubbing shoulders with the stars. Auditions were held and five children were selected to take part in filming at the abbey - based mainly on whether they looked the right age.
"Children who lived in the village or attended the school were allowed to go along," said headteacher Sue Warringham. "They had to be prepared to give up to a week for the filming, though in the end they spent three days at the abbey."
The youngsters had plenty of time on their hands, so the school sent a teacher along with them to make sure they kept up with their school work during the hours they were not needed on set.
"They spent long hours there, but they loved it," said Mrs Warringham. "They were told not to give away details about the filming and they were very discreet and didn't tell us much."
Some of the Lacock youngsters were filmed in the abbey scenes, but some were taken to London to be extras in the scenes featuring the Hogwarts Express.
Their roles follows in the footsteps of a team of lucky youngsters from Chippenham Dance Academy, who made their acting debut in The Philosopher's Stone. The 13 youngsters spent two days locked away on the closed set at Lacock playing pupils at Hogwarts School for aspiring wizards.
Sarah Eastel, whose Bath-based location company organised the filming at Lacock for the National Trust, enjoyed a special preview of The Chamber of Secrets in Leicester Square.
She said it is fantastic. "There are certainly Lacock bits in it, but we are not allowed to say where in the film - the producers don't want it to be location-based," she said. "But Lacock does look fabulous."
She is still waiting to find out if the abbey will have a role in the next film.
"I have enjoyed working on this and I am extremely proud to be associated with it again," she said. "We try to minimise disruption for the village, and hope people did not notice the filming too much."
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